An exciting scourt full of wonderfully played Scots family line songs, and a short demonstration of how to do a Celtic dance, left me in a wonderful musical humour for a Sunday night. Leaving Laxson Auditorium I felt I knew so much more about Scottish music, history, culture, and change surface geography by his explanations of what each tune was about and where it was originated, than from when I had stolon arrived. The concert started when Alasir walked down one of the isles playing his prototypical piece. It was a great start to the concert, left an impression, and set the specter for what was to be expected for the night. The faster tunes, known as jigs, had a lot of energy behind them, which was transmitted to the audience. I neer realized that some the tunes they played were also slow. I was misinformed, or just assumed, that most of what the Scottish played were in a happy tone and were fast, but I noticed that a reasonable amount of the songs he had played were slo wer paced. I also thought it was interesting to have the piano consecutive the fiddle in the tunes, I had assumed, once again, that it was going to be just a single fiddle player. It was a soft surprise, it blended well and formed beautiful songs.
The jigs were interesting, they were very upbeat and played at such a fast pace. It was plunder evident that the energy Alasir put into the tunes was then given backbone when a few audience members got out of their seats and started outpouring to them. It was really interesting and fun when he invited the audience to gage up while he taught us how to dance to the jigs ourselves. It was fairly clear th! at it does take... If you want to get a full essay, convention it on our website:
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