Saturday, February 9, 2019
Mixing Music :: essays research papers
Most good fluxers these days can even off down there mix process at any coveted superlative because of their years of go steady and their relationship to their monitors. When sticking out as a mixer you do not have this experience and need to start at a reference point that will produce desired results for your mix. I have designed this mixing segment for those with little experience or are new to the mixing process. Before starting a mix you need to have a vision of how you want your mix to sound. Refer to Cds that examples of what you are trying to achieve, for creative and tactical purposes this will acquaint you guidance on where you would like to take your mix sonically and musically. NEAR business line MONITORS Good near field monitors play an essential in consistent reference. The monitors should be capable of reproducing frequencies from 60hz to 17Khz and be able to handle high SPL, and solidifying up in a triangular fashion 3-4feet apart. Make received the monit ors are not too close to the plane of the console so to minimize high frequency reflections that will corrupt proper imaging. If your utilise monitors that are not true in frequency response equate the monitors in the monitor stage (post fade) to allow for discrepancies. This will alleviate you from wrongly Eqing your mix to compensate for inaccurate monitors. Also the distance from your ears to the monitors should be set up so the room acoustics to not play a real role in the sound of your mix. For example, the monitors are too far apart and the room is reflective your mix will sound too dry. outboard motorboat GEAR I like to start off my mixing sessions with at least three different reverbs, three ddls a stereo let out effect and two extra stereo effects processors with many diverse stereo effects like phasing, flanging, etc.