Thursday, May 30, 2019

Coppolas Interpretation of Dracula as a Love Story Essay -- Movie Fil

Coppolas Interpretation of Dracula as a Love Story The protagonist and story of Bram Stokers novel Dracula have been widely taken and adapted in films throughout many years. Despite almost a century of time since the initial publication, Dracula has maintained its ability to frighten and witch readers. Francis Ford Coppolas Bram Stokers Dracula however, utilizes the erotic romance of the original novel in order to depict a tragic love story. The film accurately follows the popular plot of the novel, yet presents the characters in a unique manner that provides for a different appreciation of the characters. Francis Ford Coppolas adaptation of Stokers novel begins with the presentation of how Dracula became an everlasting creature doomed to thirst for the blood of living animals. This story is essential to the interpretation of Dracula in Coppolas film. Dracula was a knight in the consecrate army of the church, who left his wife in order fight against an invading Turkish army. He was successful in preventing the invasion of the Turks, yet they retaliated by direct his wife, Elizobeta, a letter that falsely reported his death in the passage of arms. Upon hearing this tragic news, Elizobeta committed suicide by jumping into a river. When Dracula returns from the battle he discovers that his beloved wife is dead, and when the church tells him that her soul cannot be saved because she had taken her own life, he turns against the church and renounces God for betraying him. Dracula strikes the stone crucifix behind the altar in the church, which causes blood to gush from the stone. Dracula drinks the blood and vows to oppose God for eternity, whereby causing himself to become eternally damned as a vampire. The mos... comparing Bram Stokers original novel, Dracula, to the film adaptation by director Francis Ford Coppola, the main theme of the movie is discovered to be that Dracula sacrificed himself for his true love. crowd together Craig Holte agrees in his statement that parallels the conclusion of this paper In Coppolas vampire world, the world of contemporary gothic fiction and film, the moral universe has changed good and evil be no longer opposites, and actions no longer expected consequences, since love conquers all (Holte 87). Works Cited Holte, James Craig. Dracula in the Dark The Dracula Film Adaptations. Westport Greenwood Press, 1997. Stoker, Bram. Dracula. rude(a) York Signet, 1992. Bram Stokers Dracula. Screenplay by James V. Hart. Dir. Francis Ford Coppola. Perf. Gary Oldman, Winona Ryder, Anthony Hopkin, Keanu Reeves. Columbia Tristar, 1992.

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